Methods of Revolution [Day 3]
| Video title | Methods of Revolution [Day 3] |
|---|---|
| Creator | Unknown |
| Channel | Jadusable |
| Upload date | April 29, 2020 |
| Runtime | 6:32 |
| Tags | Methods of Revolution, Day 3, BEN Drowned, Jadusable, Abel, The Jailor (original) Methods of Revolution, Day 3, BEN Drowned, Jadusable, Abel, The Jailer, Alex Hall, Who is he?, The choice (final) |
| Game | N/A |
"STOP TALKING"—Second Player, Methods of Revolution [Day 3]
Methods of Revolution [Day 3] is the fourteenth video of Awakening and the thirty-fourth video in Ben Drowned. It is preceded by Methods of Revolution [Day 1] and will be followed by Methods of Revolution [Day 6].
Synopsis
The second player wakes up to the distressed cries of his new neighbor. After he fails to convince her to be quiet, the Jailer arrives and takes her away.
Video
Description
A choice will be made.
Transcript
The video begins with a black screen and four seconds of silence. A woman begins speaking “wh-where am I?” The camera shakily moves up, briefly showing light seeping through the bottom left corner of a doorframe, before moving back down into darkness. The second player can be heard breathing heavily. The woman calls “Hello?” and the second player clicks on a flashlight, pointing it to a copy of Dante’s “The Divine Comedy: Volume I: Inferno.” He then moves to a desk where he turns on the desk lamp and sets down his flashlight. The woman is revealed to be in the adjoining room, as Player 2 walks towards the communicating doors between their rooms. The woman repeats “Oh my God…Oh my God,” the sound of something dropping is heard, and she continues, “What the fuck?” Player 2 reaches for the door handle, briefly pulling away while the woman shouts “Is anybody there?!” He opens the door while the woman continues, “Oh my God...oh my God…what the fuck? Hello? Hello?” The woman’s side of the communicating doors remains closed.
Player 2 turns to stand in the doorframe, silent while she continues, “Is anybody there?!” He waits for a moment before tentatively raising his hand to knock on the door. He retreats when the woman yells, “Let me out! Let me out of here!” After some deliberation, he commits to giving five sturdy knocks on the communicating door. The woman, hyperventilating, exclaims, “Who’s that? Who’s there? Who’s that? What’s happening? What’s going on?” She trails off, catching her breath before continuing, “Let me out! Let me out! Let me out of here!” She becomes more frantic, increasing in volume and speed, continuing “Let me out! Let me out! Let me out! What’s going on? What the fuck is happening?” Still, her communicating door remains closed. Player 2 gives two brief knocks in response and then holds his palm to the door, before hitting it once with his open palm. The woman responds. “What the fuck? What the fuck is this?”
Player 2 runs to his desk while the woman continues “Oh my god, tell me what the fuck is going on?” He grabs the notepad, the top note the same as the previous video:
- If you're reading this
- Im sorry
- I don't know where we are
- Time is wrong here.
- Haven't eaten in days
- haven't needed to
- He won't let me leave
- Always Watching
He frantically turns the page to the second note, the same as the previous video, except the camera is framed so that viewers can only see the last portion of the note:
- Stop
- Begging to leave
- He hears them
- He's coming
The woman begins to chant “I don’t know” to herself, panicking, as Player 2 flips two pages at once, landing on the fourth page where the only word visible is:
- Moon
He flips to the fifth page, the visible phrase being:
- He will hear them
He flips to the sixth page and moves the camera upwards so that almost the entirety of the notepad is visible. The word “Silenced” is shown on this page before he seemingly gives up, briefly lifting all pages of the notebook, revealing a blank back cover. He brings all the pages back down, and moves towards crumpled sheets of paper around the desk, first grabbing one that says “AM I REAL” before throwing it down, and reaching for one that says “AM I ME”, hitting a paper that has the word “HE” written seven times and pushing it on top of a paper saying “WHO AM I.”
When the woman begins to cry “Help! Help! Get me the fuck out of here!” Player 2 moves from the desk to the bed where a light gray hoodie is lying, and looks through its pockets briefly, coming up empty-handed and moving away when the woman continues to scream, “Oh my God! Help!” He opens the closet and the viewer is first greeted to the white mannequin head on the top shelf, now sporting a Sharpie-drawn smile that was not present in Day 1. Player 2 moves the camera down to show him rooting through the pockets of the darker hoodie there, pulling out a Sharpie before running back to the desk where he very quickly flips through the notepad backward at first we briefly see “Not every day” from the end of the eighth page, then “why not yesterday” from the end of the seventh page, then the full sixth page:
- Where is he
- They are banging on doors screaming
- He hasnt come for them
- He then turns back to reveal the full eighth page:
- I see other doors
Every day hesilences the voices- Not every day
He then flips through several blank pages before hastily ripping two out. The woman quietly and quickly says another “oh my god.” Player 2 writes “STOP TALKING” on one sheet with the Sharpie, and as he does so, loud knocks are heard and the woman responds in a low voice “Hello? Where am I?” Player 2 rushes to slide the note under her door and knocks frantically, pauses briefly, and knocks again to get her attention. The woman responds “What th-? Stop talking? Fuck you! Help me! Help! What are you people?! Someone tell me what the fuck is going on!?” Player 2 races back to the desk and as he writes on the remaining sheet of paper “HE CAN HEAR YOU STOP TALKING” loud knocks are heard again followed by the woman screaming, “Help! Help! Please Help me! Get me the fuck out of here! Help!” followed by an ominous breathing sound, the same that was heard in Day 1 after Player 2 throws the hoodie on the ground. Player 2 slides the note under the woman's door and knocks again, this time much louder. He can be heard breathing heavily as he waits for her response, knocking again after she says “Oh my God!” She then screams, “Oh my God! What the fuck?! Help! AHH-” The final part of her scream being picked up by the radio, which Player 2 turns towards.
We continue to hear Player 2’s breathing in silence as he turns back to stare at the door, becoming frustrated and loudly knocking on it to no response. He pushes his communicating door away and there's the same ominous breathing noise, louder this time, coming from behind the main door into the hallway where the “DON’T LET HIM HEAR YOU” sign is still posted. He turns away from this door and the sound is heard again from the right, further into his room. He sinks to the ground and a single dripping sound is heard before he looks around and then hits his side of the communicating door fully closed. He continues to bang on it with his fist, before moving into the room, throwing a stray pillow, and bringing the Sharpie back to the notepad, leaving it uncapped, and setting the flashlight on the desk.
He sits down and pans the camera to the top of the Holy Bible, which is open to page 423, before he shuts it and firmly places it down. From here he begins arranging things into both the video thumbnail and the H5P image that would allow players to gather information on their inventory options on the Methods website. He reaches above the Holy Bible and grabs the rustic song book, setting it in the middle of the desk, and moves the flashlight from left to rest above the song book. He then moves the knife which was off-screen left to the left on-screen. While the camera is facing the bottom right of the desk, he places down the notepad, returning to the top page with the now-capped Sharpie on top of it, the model head, and the radio to the left of the final frame. The camera focuses on this set-up and slowly shakes up and down in silence for the remainder of the video.
Notes
TBA
